A Revoltz é uma banda "multi-estadual". Ricardo Kudla (baixo/vocal) é de Porto Alegre e hoje mora em São Paulo, Marcella Yoshida (teclado/vocal) e Heitor Jooji (Guitarra) são de Cuiabá e Jean Albernaz (bateria) é de Campo Grande. Como se não bastasse integrantes de vários cantos do país, o som dos caras também é "multi-influenciado": rock contemporâneo com influências do pós-punk inglês anos 80, new wave e a garageira loucura sessentista. Agora imagine tudo isso numa panela, com as influências climatológicas e caóticas de onde cada um vive e muita vodka com gelo: isso ai dá no som cheio de identidade da Revoltz. Quando toquei lá em Porto Alegre, no Gig Rock, tive a oportunidade de filmá-los em ação. Gravei 6 músicas do show deles, que foi excelente, e reuní numa playlist. Aí vai:
Acho que o som da"Revoltz" me faz pensar coisas do tipo "sacanagem na vida privada", "droguinhas marotas", "milhares de cores, amores e desesperadas tentativas de se viver bem". Espero que gostem dos vídeos. Caso queiram conhecer os discos, os links são estes:
Esta é uma campanha de incentivo à leitura idealizada, trabalhada e apresentada por: Deborah Toniolo, Marina Xavier, Julia Brasileiro, Igor Melo, Jader Félix, João Paulo Moura, Luciano Midlej, Marcos Diniz, Paulo Diniz, Filipe Bezerra. (Alunos do 2ºano - turma pp02/2003 - do curso de Publicidade e Propaganda da UNIFACS - Universidade Salvador), com texto adaptado de Guimar Grammont (clique para o texto original) O vídeo foi encontrado no site Youtube.
Pensemos de onde surgem as invenções como aviões, espaçonaves, telefones, telefones celulares, televisão e demais utilidades que nos deixam bem confortáveis hoje. Certamente não é da mente de alguém sem imaginação. Nada mais do que uma ótima reflexão para aqueles que, ainda hoje, falam sem vergonha alguma: “Eu odeio ler”, como se fosse algum mérito ter a cachola vazia.
Bom, antes de tudo gostaria de desejar a todos um feliz ano novo, e que 2008 seja um ano muito bacana, cheio de paz, amor, saúde, boa música e sucesso na realização dos planos. Ficamos inativos por bom tempo, mas acredito que agora as postagens voltarão a ocorrer com frequência. Correções, sugestões, reclamações, saudações e algumas outras palavras terminadas com "ões" são bastante bem vindas, fiquem à vontade para entrar em contato e enviar material.
Para começar 2008, escolhi uma banda que gosto muito, e que li rumores de que talvez eles se reuniriam este ano para se apresentarem no festival Coachella, na California, e isso muito me empolgou, então acabei lendo mais a respeito da banda e procurando alguns videos para falar um pouco deles aqui, a banda de que estou falando é o Pulp.
O Pulp é uma banda inglesa liderada por Jarvis Cocker que teve inicio no final dos anos 70. Sua primeira apresentação foi em Julho de 1980 no Centro de Artes de Rotherham. Desde o início seu som era considerado algo entre "new wave" e "pos-punk". A banda teve várias mudanças de formação, e durante os 80's assinaram com um selo chamado "Fire Records" e lançaram varios singles com eles. Em 1987 lançaram um album, o Freaks, que foi gravado em uma semana sob pressão do selo. Levaram quase que um ano para lançar o que tinha sido gravado em uma semana, e no final das contas o disco não foi tão bem recebido. Nessa mesma época, Cocker caiu de uma janela tentando impressionar uma garota, acabou no hospital e passou algum tempo em cadeira de rodas. Tal fato o deu um intervalo interessante para pensar sobre sua vida e objetivos, e mais tarde então, com o "Freaks" sendo fracasso de vendas, o Pulp deu um tempo com a ida de Cocker para Londres estudar cinema. Foi questão de pouco tempo para o Pulp voltar com outra formação e gravar o "Separations", album que tambem teve o lançamento prorrogado cerca de um ano com divulgações para tentarem um melhor impacto no mercado. Durante esse periodo de "preparação" eles lançaram o single "My Legendary Girlfriend" que foi muito bem recebido e levou o Pulp agora para um patamar acima em questão de reconhecimento. Frustrados com o fato de "Separations" ainda não ter sido lançado, eles assinaram contrato com a Gift Records em 1992 e então o lançaram. Algum tempo depois assinaram com a Island Records e a partir daí seus lançamentos tiveram alcance nacional e internacional. A midia estava voltando atenção ao "Britpop", para bandas como Suede e Blur, e em 1994 o Pulp fez uma turnê nos EUA. Em 1995 eles alcançaram o ponto mais alto da fama com o lançamento do single "Common People" e com a performance muito bem recebida no festival de Glastonbury. Depois de alguns outros varios hits, Cocker causou grande polemica ao invadir o palco durante uma apresentação do Michael Jackson no Brit Awards de 1996. De 97 a 2002 usufruiram e se desgastaram bastante com a fama até lançarem o "This is Hardcore", album que já não trazia mais tanta música "felizinha e dançante" como os outros e que já anunciava tal desgaste por tanta exposição. Foi em 2002 então que a banda lançou um "greatest hits" e anunciou que deixariam o selo que trabalhavam até então, "Island records", e que resolveram dar um tempo com a banda e toda aquela fama que os cercavam.
Mark Webber, Steve Mackey, Jarvis Cocker, Nick Banks e Candida Doyle.
O "Hits", de 2002, foi lançado em video e audio, e consegui achar todas as músicas no youtube. Vou então postá-las aqui, com breves comentários, em sua maioria meramente descritivos sobre tão belos clipes, espero que gostem:
1- Babies Um clipe quase que metalinguistico, já começa dizendo que "a promo video is simply an advertisement for a song", depois comenta sobre estrutura, estrutura da música, elementos como a luz, camera, ação, roteiro, tema, refrão, continuidade, cortes e etc... A banda toca com roupas coloridas num ambiente branco, e paralelamente rola um pequeno enredo de duas mocinhas num quarto...
" Well it happened years ago when you lived on Stanhope Road. We listened to your sister when she came home from school 'cos she was two years older and she had boys in her room. We listened outside and heard her. Alright. Well that was alright for a while but soon I wanted more. I want to see as well as hear and so I hid inside her wardrobe. And she came round four and she was with some kid called David from the garage up the road I listened outside I heard her. Alright. Oh I want to take you home. I want to give you children. You might be my girlfriend, yeah. When I saw you next day I really couldn't tell 'cos you might go and tell your mother. And so you went with Neve and Neve was coming on And I thought I heard you laughing when his Mum and Dad were gone. I listened outside, I heard you. Alright. Oh I want to take you home...etc. Well I guess it couldn't last too long. I came home one day and all her things were gone, I fell asleep inside. I never heard her come. And then she opened up her wardrobe and I had to get it on. Oh, listen we were on the bed when you came home, I heard you stop outside the door. I know you won't believe it's true, I only went with her 'cos she looks like you. Oh I want to take you home...[etc.]"
2- Razzmatazz
Ela e o "how to live in style"... caixinha de música com uma bailarina... gato preto... chocolates, ovos, manteiga, vegetais, brocolis, ração para o gato, escada...
a banda e o moulin rouge, escova de dentes, maquiagem, palco brilhoso, apartamento de papel de parede florido em algo tipo laranja... e a música excelente!
"The trouble with your brother he's always sleeping with your mother and i know that your sister missed her time again this month
Am I talking too fast? Are you just playing dumb? If you want I can write it down
It shouldn't matter to you, 'cause aren't you the one with your razamataz and the nights on the town? uh-uh-uh
Oh you knew it and you blew it, didn't you babe I was lying when i asked you to stay and now no one's gonna care if you don't call them when you said and he's not coming 'round tonight to try and talk you into bed
and all those stupid little things, they ain't working No, they ain't working anymore
You started getting fatter three weeks after i left you now you're going with some kid looks like some fat comedian
Are you gonna go out, or are you staying at home eating boxes of milktray?
it shouldn't matter to you 'cause aren't you the one with your razamataz and the nights on the town? uh-uh-uh
Oh you knew it and you blew it, didn't you babe I was lying when i asked you to stay and now no one's gonna care if you don't call them when you said and he's not coming 'round tonight to try and talk you into bed
and all those stupid little things, they ain't working no they ain't working anymore"
3- Lipgloss Vários cartazes, anuncinado interesses e características. A banda num ambiente multicolorido cheio de entradas e saídas, paralelamente uma mocinha na cama procurando o corte de cabelo que te agrade, de pele branquinha branquinha e labios mais-que-vermelhos: "Does this turn you on!?"
"No wonder you're looking thin when all that you live on is lipgloss and cigarettes And scraps at the end of the day when he's given the rest to someone with long black hair All those nights in, making such a mess of the bed Oh you never ever want to go home And he wants you so you may as well hang around for a while call your Dad on the phone He changed his mind last Monday so you've got to leave by Sunday yeah You've lost your lipgloss Honey Oh yeah Now nothing you do can turn him on there's something wrong You had it once but now it's gone And you feel such a fool for laughing at bad jokes and putting up with all of his friends and kissing in public What are they going to say when they run into you again? That your stomach looks bigger and your hair is a mess and your eyes are just holes in your face And it rains every day and when it doesn't the sun makes you feel worse anyway He changed his mind last Monday so you've got to leave by Sunday yeah You've lost your lipgloss Honey Oh yeah Now nothing you do can turn him on there's something wrong You had it once but now it's gone Though you knew there was no way it was going to last for ever it still shook you when he told you in a letter that he didn't want to see you You nearly lost your mind Oh yeah You've lost your lipgloss Honey Oh yeah Now nothing you do can turn him on there's something wrong You had it once but now it's gone Oh yeah Oh yeah Oh yeah ah-ah-ah-ah... ooh-ooh-ooh-ooh... Oh yeah"
4- Do You Remember The First Time? Nesse clipe a camera vai fazendo espécies de 360º sob os ambientes, e a cada vez que chega ao grau 0 ou 180, muda o ambiente, com ambientes aleatorios, como se entrasse no chão e mostrasse o que estava acontecendo ali daquele lado de baixo... mostrando episodios diferentes e paralelos... muito bacana!!!
"You say you've got to go home 'cos he's sitting on his own again this evening. And I know you're gonna let him bore your pants off again. Oh God, it's half past eight you'll be late. Oh and you say you're not sure though it makes good sense for you to live together. Still you bought a toy to reach the places he never goes and now it's getting late. He's so straight. Do you remember the first time? I can't remember a worse time but you know that we've changed so much since then, oh yeah, we've grown. Now I don't care what you're doing, no I don't care if you screw him just as long as you save a piece for me, oh yeah now, You say you've got to go home. Well at least there's someone there that you can talk to and you'll never have to face up to a night on your own. Jesus, it must be great to be straight. Do you remember the first time?"
5- Common People
O clipe começa numa danceteria multicolor, até que aparece ela, que estudava escultra em St. Martin's College, dizendo que queria viver como "common people"... foram então para um supermercado... mas achei aquele lugar nada comum... diria um supermercado pop art... cheio de produtos cor-de-rosa e amarelo escrito PULP... e quando chegam ao refrão, falam das pessoas comuns, e as imagens ao fundo são de gente lavando a janela de casa, outro abrindo a janela ao lado e fugindo com a tv, crianças brincando, casais se beijando, pessoas estendendo roupas nas janelas e outros fatinhos corriqueiros... quando volta com as pessoas na danceteria... os movimentos vão, congelam e voltam... muito bom!!! e a banda toca num palco tipo pista de dança, com chão quadriculado, e muito bem iluminado! rola até uma briga na danceteria antes das pessoas começarem a bater palmas e fazerem dancinhas sincronizadas!!!
"She came from Greece she had a thirst for knowledge she studied sculpture at St Martin's college that's where I caught her eye She told me that her Dad was loaded I said "In that case I'll have rum and coca-cola." she said "Fine," and then in thirty seconds time she said "I want to live like common people I want to do whatever common people do I want to sleep with common people I want to sleep with common people like you." Well what else could I do? I said "I'll see what I can do."
I took her to a supermarket I don't know why, but I had to start it somewhere so it started there I said "Pretend you've got no money." but she just laughed an said "Oh you're so funny." I said "Yeah? Well I can't see anyone else smiling in here Are you sure you want to live like common people you want to see whatever common people see you want to sleep with common people you want to sleep with common people like me?" But she didn't understand she just smiled and held my hand
Rent a flat above a shop cut your hair and get a job Smoke some fags and play some pool pretend you never went to school But still you'll never get it right `cos when you're laid in bed at night watching roaches climb the wall if you called your Dad he could stop it all Yeah You'll never live like common people you'll never do what common people do you'll never fail like common people you'll never watch your life slide out of view and then dance, and drink, and screw because there's nothing else to do
Sing along with the common people sing along and it might just get you through Laugh along with the common people laugh along even though they're laughing at you and the stupid things that you do because you think that poor is cool
Like a dog lying in a corner they will bite and never warn you Look out they'll tear your insides out [something muffled underneath, maybe: I'm sorry, Mr Dalton, there's no need to be concerned] `cos everybody hates a tourist especially one who thinks it's all such a laugh yeah and the chip stain's grease will come out in the bath You will never understand how it feels to live your life with no meaning or control and with nowhere else to go You are amazed that they exist and they burn so bright whilst you can only wonder why
Rent a flat above a shop cut your hair and get a job Smoke some fags and play some pool pretend you never went to school But still you'll never get it right `cos when you're laid in bed at night watching roaches climb the wall if you called your Dad he could stop it all You'll never live like common people you'll never do what common people do you'll never fail like common people you'll never watch your life slide out of view and dance, and drink, and screw because there's nothing else to do
I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you I want to live with common people like you Aa-aa-ah la la la la... Oh yeah."
6- Sorted for E's & Wizz
A música é linda demais e as imagens são de uma apresentação com publico gigantesco...
"Oh is this the way they say the future's meant to feel? Or just twent thousand people standing in a field And I just don't quite understand what this feeling is But that okay cos we're all sorted out for E's and Wizz And tell me when the spaceship lands Cos all this has just got to mean something
CHORUS In the middle of the night It feels alright but then tomorrow morning Ohh Ohh when you come down
Oh yeah the pirate radion told us what was going down Got the tickets from some messed up bloke in Camden Town And no one seems to know exactly where it is But that's okay, cos we're all sorted out for E's and Wizz At 4 0'clock the normal world seems very very very far away Hey hey
CHORUS
Just keep on moving Everybody asks your name they say we're all the same And now it's "Nive one, Geezer"-that's far the conversationwent I lost my friends, I dance alone, it's 6 o'clock, I wanna gohome But it's no way not today, makes you wonder what it meant And thi hollow feeling grows and grows and grows and grows And you wanna call your mother and say, "Mother, I can never come home again because I seem to haveleft an important part of my brain somewhere in a field inHampshire." Alright
CHORUS
Ooohh Oohh when you come down Oohh what if you never come down?"
7- Disco 2000
"once upon a time..." enquanto a guitarrona valvuladissima começa a música, uma especie de capa de disco animada aparece com um relógio, e o enredo começando na lavanderia para ela... e fechando a loja para ele... ela, Deborah, meio triste e agoniada com o tempo passando e ela ali na lavanderia... ele vai cortar o cabelo!!! ela volta para casa e deixa a tv ligada... ele mexe em seus discos e escolhe um do Pulp para ouvir... coincidentemente ela está no onibus ouvindo um cdzinho do Disco 2000... e o tempo passa...e a falta de sentido continua... ele ouvindo a múisca e pensando no que fazer... ela corta as unhas e também começa a se vestir para sair... ele faz o mesmo... durante todo o clipe, aparecem várias pessoas em preto e branco não animadas nos ambientes... ambos acabam indo para a mesma discoteca de chão vermelho e azul e lá se encontram! e o jogo de sedução começa... ele vai ao banheiro e dá um trato no cabelo... e tudo acontece!!! um grande beijo, um bom apertão, e acabam saindo juntos da discoteca... pegam um taxi (para impressioná-la! rsrsrs) e vão parar num sofá vermelho numa sala de tapete roxo... depois já aparecem na cama de um quarto com um papel de parede bacana... o soutien aparece se pendurando no lustre... e no final... enquanto ela espera que tenha sido tão bom para ele quanto para ela... ele fica se perguntando se ela vai querer ve-lo novamente! e terminam querendo trocar de canal...
"Well we were born within an hour of each other. Our mothers said we could be sister and brother. Your name is Deborah, De-bor-ah. It never suited you. And they said that when we grew up, we'd get married and never split up. Oh we never did it, although I often thoughtof it.
CHORUS Oh Deborah, do you recall? Your house was very small with wood-chip on the wall. When I came round to call you didn't notice me at all, and I said: "Let's all meet up inthe year 2000. Won't it be strange when we're all fully grown? Be there two o'clock by the fountain down the road." I never knew that you'd get married. I would be living down here on my own on that damp and lonely Thursday years ago.
You were the first girl at school to get breasts and Martin saidthat you were the best. Oh, the boys all loved you, but I was amess. I had to watch them try and get you undressed. We were friendsand that's as far as it went. I used to walk you home sometimes butit meant; Oh, it meant nothing to you `cause you were so popular.
CHORUS
Do it, Oh yeah, Oh yeah. And now it's all over. You've paid yourmoney and you've taken your choice and I know we'll never meet again.But Deborah, I just wanted you to know I remember every single thing.
CHORUS
Oh, what are you doing Sunday, baby? Would you like to come andmeet me, maybe? You can even bring your baby. Ooh ooh-ooh-ooh-ooh.. What are youdoing Sunday, baby? Would you like to come and meet me, maybe? You can even bringyour baby. Ooh ooh-ooh-ooh-ooh.. Ooh ooh-ooh-ooh-ooh ooh"
8 - Something Changed
Outro clipe com ambiente de iluminação fatal e camera dinâmica... dessa vez as coisas não são tão coloridas, mas a iluminação é perfeita e sincronizada com a música... a camera as vezes é giratoria... mas trabalha diferente do que rola em "do you remember the first time?"... a colocação dos holofotes é um charme... é mostrada num take que a camera sobe bastante...
"I wrote this song two hours before we met I didn’t know your name or what you like yet Oh, I could have stayed at home and gone to bed I could have gone to see a film instead You might have changed your mind and seen your fiend Life could have been very different but then Something changed
Do you believe that there’s someone up above? And does he have a timetable directing acts of love? Why did I write this song on that one day? Why did you touch my hand and softly say “Stop asking questions that don’t matter anyway Just give us a kiss to celebrate here today Something changed”
When we woke up that morning we had no way of knowing That in a matter of hours we changed the way we were going Where would I be now, where would I be now If we have never met? Would I be singing this song to someone else instead? I dunno but like you just said Something changed"
9 - Help the Aged
Começa com um quadro na parede verde, iluminação meio que laranja... Jarvis Cocker está passando sentado... numa cadeira daquelas de adaptação para subir escadas... e no andar de cima está a banda... as cores continuam forçadas para o verde e laranja... do nada aparecem pessoas... mulheres bonitas e homem super barbudos!!! um casal dançando, outro jogando tenis de mesa... até que na outra vez que Cocker senta na cadeira para subir mais um andar... ele sobe até o universo... fantastico!!! no outro refrão a banda já está num ambiente todo branco e preto... de luzes fortes... e estruturas gigantescas... e o local que eles estão tocando... esta subindo até tampar um furo no teto!!! e aparecem do lado de fora da estrutura, no espaço!!!
"Help the aged, One time they were just like you, drinking, smoking cigs andsniffing glue. Help the aged, don't just put them in a home, Can't have much fun in there all on their own. Give a hand, if you can, try and help them to unwind. Give them hope & give them comfort 'cos they're running out oftime. In the meantime we try. Try to forget that nothing lasts forever. No big deal so give us all a feel. Funny how it all falls away. When did you first realise? It's time you took an older lover baby. Teach you stuff although he's looking rough. Funny how it all falls away. Help the aged 'cos one day you'll be older too You might need someone who can pull you through And if you look very hard behind the lines upon their Face you may see where you are headed and it's such a lonelyplace. In the meantime we try, etc. You can dye your hair but it's the one thing you can't change. Can't run away from yourself. In the meantime we try, etc. Funny how it all falls away. So help the aged....."
10- This is Hardcore
Começa com pessoas fazendo testes para algum papel... a bateria de bumbo profundo...até o piano entrar na jogada... a sala com o piano, como se fosse numa noite de tempestade... a pianista de vestido vermelho... a policia numa cena de crime... e era apenas uma cena mesmo... e recomeçam o take... e outras cenas vão aparecendo assim... uma infermeira mexendo na bolsa da paciente em coma... Jarvis de olhar triste do outro lado de um vidro com um grande rombo... uma grande briga numa festa... alguns homens chegando metralhando tudo num escritorio... dançarinas loiras, com roupas douradas e penachos azuis... dançando deitadas, num grande circulo... num chão todo preto... dão movimento ao circulo que formam, muito bacana... depois aparecem num ambiente com um grande lustre... e paredes vermelhas... dessa vez não tem nada com aquele clima dançante e de alegria que tem na maioria dos outros videos e músicas...
"You are hardcore, you make me hard. You name the drama and I'll play the part. It seems I saw you in some teenage wet dream. I like your get-up if you know what I mean. I want it bad. I want it now. Oh can't you see I'm ready now. I've seen all the pictures, I've studied them forever. I wanna make a movie so let's star in it together. Don't make a move 'til I say "Action." Oh here comes the Hardcore life. Put your money where your mouth is tonight. Leave your make-up on and I'll leave on the light. Come over here babe and talk in the mic. Oh yeah I hear you now. It's gonna be one hell of a night. You can't be a spectator. Oh no. You got to take these dreams and make them whole Oh this is Hardcore - there is no way back for you. Oh this is Hardcore - this is me on top of you and I can't believe it took me this long. That it took me this long. This is the eye of the storm. It's what men in stained raincoats pay for but in here it is pure. Yeah. This is the end of the line. I've seen the storyline played out so many times before. Oh that goes in there. Then that goes in there. Then that goes in there. Then that goes in there. And then it's over. Oh, what a hell of a show but what I want to know: what exactly do you do for an encore? Cos this is Hardcore. "
11- A Little Soul Outra música de clima mais triste e sério, aqui as crianças fazem tudo que era para os adultos da banda fazerem, desde segurar microfone, cantar, ligar amplificadores, tocar piano, baixo, montar bateria...
"Hey man, how come you treat your woman so bad? That's not the way you do it. No, no, no.. you shouldn't do it like that. I could show you how to do it right. I used to practice every night on my wife now she's gone. Yeah, she's gone.
You see your mother and me we never got along that way you see. I'd love to help you but everybody's telling me you look like me but please don't turn out like me. You look like me but you're not like me I know. I had one, two, three, four shots of happiness. I look like a big man but I've only got a little soul. I only got a little soul.
Yeah, I wish I could be an example. Wish I could say I stood up for you and fought for what was right. But I never did. I just wore my trenchcoat and stayed out every single night. You think I'm joking? Well, try me. Yeah, try me. Yeah come on, try me tonight. I did what was wrong though I knew what was right. I've got no wisdom that I want to pass on. Just don't hang 'round here, no, I'm telling you son. You don't wanna know me. Oh, that's just what everybody's telling me.
& everybody's telling me you look like me but please don't turn into me. You look like me but you're not like me I hope. I have run away from the one thing that I ever made. Now I only wish that I could show you - wish I could show a little soul. Wish I could show a little soul. [x3]"
12- Party Hard
Ambiente de paredes pretas, estrelas brilhosas e chão branco... disposições por instrumentos, cada um num patamar... tipo palco de programa de auditorio... dançarinas de blusinhas azuis, saias brancas e calcinhas vermelhas... daquele tipão de torcidas de futebol americano... dançam uns breaks malucos... e alguns takes são só das dançarinas com fundo com coraçõeszinhos brancos em fundo vermelho que vai mudando de padrões e cores... rola até uma chuva de gliter prata só na frente da camera! rsrsrsrs uma chuva de balões rosas no finalzinho da música... Jarvis pega um para ele, se abraça ao balão que estoura... e as dançarinas todas aparecem organizadinhas no final... dizendo um grande "ahhh!"
"I used to try very hard to make friends with everyone on the planet. I've seen you havin' it, havin' it yeah but now you've just had it. Entertainment can sometimes be hard when the thing that you love is the same thing that's holding you down. This man is dangerous, he just shed his load on your best party frock. Before you enter the palace of wisdom you have to decide: are you ready to rock? Oh can you party with me? Can you show me a good time? Do you even know what one looks like? And I don't need to hear your stories again - just get on the floor and show me what you're made of. Just what exactly are you made of? Baby, you're driving me crazy. Baby, you're driving me crazy. I was having a whale of a time until your uncle Psychosis arrived. Why do we have to half kill ourselves just to prove we're alive? I'm here whenever you need me and whenever you need me I won't be here. And have you ever stopped to ask yourself? if you didn't come to party, then why did you come here? Baby, you're driving me crazy. Baby, you're driving me crazy. And do you really want to know just how come you turned out so dumb? When the party's over will you come home with me? Now the party's over will you come home to me. Will you come home to me?"
13- Pulp - Trees
Um ambiente todo preto com arvores grandes e as luzes vindo pelos lados... dando a eles só contornos brancos no ambiente escuro!!! Alguns dançarinos... e imagens cruzadas... deixando impressões de movimentos fantásticos... quando uma hora as luzes se apagam e o fundo fica vermelho... só as sombras aparecem... tanto da banda, quanto das pessoas dançando!!! muito bacana!!!
"I took an air rifle Shot a magpie to the ground And it died without a sound
Your skin's so pale Against the fallen autumn leaves No-one saw us but the trees
Yeah, the trees Those useless trees Produce the air That I am breathing
Yeah, the trees Those useless trees They never said That you were leaving
I carved your name With a heart just up above Now swollen, distorted Unrecognisable, like our love
You smell of leaf mould And the sweetness of decay Or the incense at the funeral procession here today
And the trees Those useless trees Produce the air That I am breathing
Yeah, the trees Those useless trees They never said That you were leaving
Ah
Try to shape the world to what you want the world to be Carving your name a thousand times won't bring you back to me
Oh, no, I might as well I might as well go tell it to the trees, yeah
Oh yeah, the trees Those useless trees Produce the air That I am breathing
Yeah, the trees Those useless trees They never said That you were leaving
Go and tell it to the trees, yeah Go tell it to the trees, yeah Go tell it to the trees, yeah Go tell it to the trees, yeah Go tell it to the trees, yeah"
14- Bad Cover Version o que da pra dizer sobre isso!? hAUEhaeuehauEAHuHEAuHEAuHEAUEAUHAE geniais!!! AEHuEAHUEeauHEAuEUAAEUhEAUhUEAHUEH
"The word's on the street: you've found someone new. If he looks nothing like me I'm so happy for you. I heard an old girlfriend has turned to the church - she's trying to replace me, but it'll never work. 'Cos every touch reminds you of just how sweet it could have been And every time he kisses you it leaves behind the bitter taste of saccharine. A bad cover version of love is not the real thing. Bikini-clad girl on the front who invited you in. Such great disappointment when you got him home - the original was so good; the one you no longer own. And every touch reminds you of just how sweet it could have been And every time he kisses you, you get the taste of saccharine. It's not easy to forget me, it's so hard to disconnect When it's electronically reprocessed to give a more life-like effect.
Aah, sing your song about all the sad imitations that got it so wrong It's like a later "Tom & Jerry" when the two of them could talk Like the Stones since the Eighties, like the last days of Southfork. Like "Planet of the Apes" on TV, the second side of "'Til the Band Comes in" Like an own-brand box of cornflakes: he's going to let you down my friend."
15- Sunrise ao vivo... com luzes otimas... e pressão sonora de gente grande... como sempre!!! :D
"I used to hate the sun because it shone on everything I'd done. Made me feel that all that I had done was overfill the ashtray ofmy life. All my achievements in days of yore range from pathetic topiss-poor, But all that's gonna change. Because here comes sunrise.
Yeah, here's your sunrise. I used to hide from the sun, tried to live my whole life underground. Why'd you have to rise & ruin all my fun? Just turned over, Closed the curtains on the day. But here comes sunrise. Yeah, here's your sunrise when you've been awake all night long And you feel like crashing out at dawn. But you've been awake all night, so why should you crash out atdawn?"
Todos os links e arquivos que se encontram no site, estão hospedados na própria Internet, somente indicamos onde se encontra, não hospedamos nenhum CD ou programa que seja de distribuição ilegal. -Qualquer arquivo protegido por algum tipo de lei deve permanecer, no máximo, 24 horas em seu computador. -Eles podem ser baixados apenas para teste, devendo o usuário apagá-lo ou comprá-lo após 24 horas. -A aquisição desses arquivos pela internet são de única e exclusiva responsabilidade do usuário. -Os donos, webmasters e qualquer outra pessoa que tenham relacionamento com a produção do site não tem responsabilidade alguma sobre os arquivos que o usuário venha à baixar e para que irá utilizá-los. -O usuário que utilizar o site, tem total conhecimento e aceita os termos referidos acima. -Caso você, usuário, não aceite esses termos, favor clicar no X no canto esquerdo superior da janela.
A Revoltz é uma banda "multi-estadual". Ricardo Kudla (baixo/vocal) é de Porto Alegre e hoje mora em São Paulo, Marcella Yoshida (teclado/vocal) e Heitor Jooji (Guitarra) são de Cuiabá e Jean Albernaz (bateria) é de Campo Grande. Como se não bastasse integrantes de vários cantos do país, o som dos caras também é "multi-influenciado": rock contemporâneo com influências do pós-punk inglês anos 80, new wave e a garageira loucura sessentista. Agora imagine tudo isso numa panela, com as influências climatológicas e caóticas de onde cada um vive e muita vodka com gelo: isso ai dá no som cheio de identidade da Revoltz. Quando toquei lá em Porto Alegre, no Gig Rock, tive a oportunidade de filmá-los em ação. Gravei 6 músicas do show deles, que foi excelente, e reuní numa playlist. Aí vai:
